This indicates that they aren't the words O’Neill himself used at the time of dictation, but a later emendation. It is also worth noting that some minor attempts to rewrite parts of the text have been added above Hughes' script, but these are in pencil and not in Hughes' ink. Where this occurs, I have also included the original word, but set it in strike–through typeface.
In a few instances, it is apparent that Hughes made an immediate amendment to what he had just written, by crossing out a word and continuing with a correction. In any case, since his true purpose for doing so is not clear, I have thought it best to merely indicate where these gaps appear, by inserting the term in the relevant position. In writing down the text, Hughes often left gaps between sentences, perhaps in an attempt to create some pauses or phrasing in the narrative flow, without having to start a new line or paragraph (possibly to save paper). The few editorial comments I have added are placed within square brackets, as per standard practice. Therefore, although his spelling of the Irish may be incorrect and look strange, it arguably preserves something of the sound of O’Neill’s eighteenth–century County Tyrone accent. Since Hughes had no knowledge of the Irish language, he wrote phonetically the names that O’Neill gave. I have deliberately made no effort to amend or complete Hughes’ punctuation, nor have I altered any of his spelling: to do so would run counter to the purpose of a direct transcription. In producing this transcription of MS4/14, I have attempted to present it in a form as close to the original as the current format practicably allows. The text in its raw, unaltered form, is the closest thing we have to being in the presence of - and listening to - the real Arthur O’Neill. Here were more than simply stories and memories, they were the actual words the old harper spoke, and they provide extra insight into the man himself.
However, in doing so, these editions seem to have lost an important aspect of the original for when reading through Hughes’ work, I was impressed with a vibrant sense of O’Neill’s voice. As a result, the two previously published accounts of the memoirs (Charlotte Milligan Fox, 1911, and Donal O'Sullivan, 1958) were both revised and edited, in an attempt to clean up the text and emphasise the story line. Therefore, it is hardly surprising that his writings show numerous contractions, a lack of reliable punctuation, inconsistent use of capital letters, and the occasional missing word.
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The resulting manuscripts survived amongst the personal papers of Edward Bunting, and these are now preserved in the Library of Queen’s University Belfast.Īlthough the process of noting O’Neill’s memories and anecdotes must have taken place over several sittings, Hughes would have been hard–pressed at times to keep up with O’Neill when he was in full flow. Late in his life, the harper Arthur O’Neill dictated his memoirs to Thomas Hughes, who wrote down O’Neill’s words as he spoke them. Homestuck Vol.Illustration of O'Neill from Bunting (1840) "Catapult Capuchin", "Science Seahorse", "A Fairy Battle", "The Blind Prophet", "AlterniaBound", "You Won A Combat", "Rest A While" "Karkat's Theme", "Terezi's Theme", "Vriska's Theme", "FIDUSPAWN, GO!", "Darling Kanaya", "Eridan's Theme", "Nautical Nightmare", "Nepeta's Theme", "Killed by BR8K Spider!!!!!!!!", "Umbral Ultimatum", "MeGaLoVania", "Gaia Queen", "Wacky Antics", "Nic Cage Song", "A Tender Moment" artemis251 as luigi, chorus singer, kid, and hella jeff)" "THROGUH SONG", "IM HAVING A BABY, AND THE BABY IS YOU", "bootes", "ROSE
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"Squiddles the Movie Trailer - The Day the Unicorns Couldn't Play" "Crustacean", "Showdown", "mIrAcLeS", "The Lemonsnout Turnabout", "Phaze and Blood", "psych0ruins", "Walls Covered In Blood", "dESPERADO ROCKET CHAIRS,", "Death of the Lusii", "Virgin Orb", "The La2t Frontiier", "Skaian Summoning", "Spider's Claw (Bonus)", "Staring (Bonus)", "Keepers (Bonus)" "Skaian Skirmish", "Savior of the Waking World", "Happy Cat Song!", "Hardchorale", "White", "Octoroon Rangoon", "Lotus Land Story", "Versus", "Dupliblaze COMAGMA", "Moonshatter", "Sunsetter", "Get Up", "Vertical Motion", "Amphibious Subterrain", "Snow Pollen", "Descend" "John Sleeps / Skaian Magicant", "Carefree Victory", "Atomyk Ebonpyre", "Black"Homestuck Vol. "Liquid Negrocity", "The Ballad of Jack Noir" (Versión Original)Homestuck Vol. Es el creador del aclamado RPG Undertale, su banda sonora y el conocido Hack de Halloween de EarthBound, de la saga Mother.ĪlbumPistas compuestas Midnight Crew: Drawing Dead Toby "Radiation" Fox también conocido como FwugRadiation, es un compositor de música y desarrollador de juegos, nacido en el 11 de Octubre de 1991 (actualmente tiene 24 años).
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